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Layered blues for a quiet Nordic mood—built for long scrolls and clear product focus beside the sticky cabin window.
Wood-toned frames and chip trails keep the buy box grounded—harbor calm meeting cabin warmth without clutter.
RAY MEAD "UNTITLED ABSTRACT" ACRYLIC, 1988 Louise Nevelson 1970's 11”H 14"W (canvas) 11”H 14"W (canvas) Wieland established new benchmarks for what a woman artist could achieve Ray Mead (1921 1988) occupies a distinct place within the arc of postwar Canadian abstraction As a result Mead's work is a fine synthesis of both European Modernism and mid century American abstraction
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